How do I choose text for Close Reading?
I have heard this question multiple times in the last month. I do not remember being asked, “What text should I use for a Read Aloud?” or “What text should I use for a Think Aloud?” Maybe it happened and my memory is faulty, but I just don’t remember those questions in the past.
Suddenly, text seems to matter. And many teachers are very concerned about using the “right text” for instruction.
From the World of Common Sense:
1. Consider what your students are currently reading and what they need to be reading to meet R.CCR.10 Text Complexity and Range of Reading
2. Aim for text that is complex and will be a “stretch” for the students
3. Check your class data – What is a procedure, skill, or strategy that students need to be using more consistently?
4. What are your writing goals? What mentor texts are you using?
5. How can you combine reading, writing, speaking and listening and language standards so the students can “practice” using a variety of language arts skills on a very rich and relevant task that is worthy of class time?
Doug Fisher (2012) reminds us that we do want to choose “short, worthy texts” (p. 108) when planning for close reading. The use of a short piece of text allows the teacher to have time for modeling the skill, strategy or procedure before turning it over to students to practice in a gradual release of responsibility framework. That modeling is going to include rereading with a specific purpose in mind. The focus lesson needs to be explicit and include the actions that students will eventually be expected to use. One goal is to have the students use the skill, strategy, or procedure as soon as possible in the context of their own reading. Doug is crystal clear in explaining that close reading does not happen to every page in any book nor only with short pieces of text. Balance of text (genre, length, and complexity) is always a consideration in selection for instruction because close reading is about really “understanding what the author is saying and then comparing that with our own experiences and beliefs” (p.108).
The key points to remember for close reading according to Doug Fisher (2012) are: “rereading, reading with a pencil, noticing things that are confusing, discussing the text with others, and responding to text-dependent questions” (p. 108).
Fisher, D., Frey, N., & Lapp, D.(2012). Text complexity: Raising rigor in reading. Newark, DE: International Reading Association.
However, do keep your eye on the “prize.” If the goal is that students will independently “close read” text, then the teacher cannot always be providing the “short” text, the directions and the text-dependent questions. In the world of “gradual release of responsibility” and “common sense” another goal would be for students to be “close reading” their independent reading texts and texts for other courses outside the realm of ELA. Consider how you would scaffold instruction to build towards multiple goals for close reading. What can and should that instruction look like?
What text have you used? Did it work as you expected? What text will you plan to use next?
What is the Purpose?
Two books that I read this summer have changed my thinking. They are Hattie’s Making Learning Visible, Maximizing Impact on Learning and Moss and Brookhart’s Learning Targets. Hattie’s book helps me craft my response when a teacher or administrator asks for help with idea/innovation/program X. I can easily check the research for the effect size and ask questions about “possibilities” for increased learning. Learning Targets has been instrumental in helping me think about the “portion size” of daily lessons for students as well as the need to be crystal clear each day about the expected student learning. A question that I frequently use is: “Does the learning target match the student action or learning?”
Why is this important? Well, Reading is very important now as several states have added a requirement for third graders to be reading at the third grade level or several different processes kick in for additional intervention, instruction, summer school or retention. This post is not going to focus on those legislative mandates. Instead it will focus on part of Reading Anchor Standard (K-12) #10 – Range of Reading. As you read through this information, think about “HOW” you will know if students have met this standard?
CCR English Language Arts Anchor Standard 10 says:
“Range of Reading and Level of Text Complexity
Read and comprehend complex literary and informational texts independently and proficiently.”
Several pages later in the Common Core document a reader finds this additional information:
“Range of Text Types for K‑5 Students in K–5 apply the Reading standards to the following range of text types, with texts selected from a broad range of cultures and periods.
Literature | Informational Text | ||
Stories | Dramas | Poetry | Literary Nonfiction and Historical, Scientific and Technical Text |
Includes children’s adventure stories, folktales, legends, fables, fantasy, realistic fiction, and myth | Includes staged dialogue and brief familiar scenes | Includes nursery rhymes and the subgenres of the narrative poem, limerick, and free verse poem | Includes biographies and autobiographies; books about history, social studies, science, and the arts; technical texts, including directions, forms, and information displayed in graphs, charts, or maps; and digital sources on a range of topics” |
“Range of Text Types for 6‑12 Students in 6‑12 apply the Reading standards to the following range of text types, with texts selected from a broad range of cultures and periods.
Literature | Informational Text | ||
Stories | Dramas | Poetry | Literary Nonfiction |
Includes the subgenres of adventure stories, historical fiction, mysteries, myths, science fiction, realistic fiction, allegories, parodies, satire, and graphic novels | Includes one-act and multi-act plays, both in written form and on film | Includes the subgenres of narrative poems, lyrical poems, free verse poems, sonnets, odes, ballads, and epics | Includes the subgenres of exposition, argument, and functional text in the form of personal essays, speeches, opinion pieces, essays about art or literature, biographies, memoirs, journalism, and historical, scientific, technical, or economic accounts (including digital sources) written for a broad audience” |
There is more information in the standards about the three characteristics of “complex” text. But that is not the topic here. A Twitter conversation today caught my eye. It was linked to this blog: “Reading: It’s Kind of a Big Deal.”
How will you know students have read the variety of genres listed above?
How will your students know that you have read the variety of genres listed above? (If you are a teacher, you probably would not ask students to read genres or texts that you have never read, would you?)
Before I read the blog above from a parent and a child’s view, I probably would have said that a “Reading Log” would be a good indicator of texts read. But what does a list really tell a student, parent, or teacher?
- If the goal is creating students who can and will read all their lives, how can we model, encourage and excite students to read? Will it be teacher conversations in conferences with readers? Will it be peer-to-peer conversations, blogs, or tweets?
- If we consider student voice and choice, will students and parents read more than the assigned daily obligatory reading?
- And lastly, do you keep a “required reading log?”
I would love to hear your thoughts!