I’m still reeling from the information on goals in Jan Burkins and Kim Yaris’s post about the 1% of the population that set goals and regularly review them. It’s a short post. Go read it here. The numbers are staggering and the consequences for learning are dire if teachers are NOT setting goals in their classrooms.
Let’s Review: How important are clear learning targets for students?
Hattie, Fisher and Frey say that their effect size is .75 for “Teacher Clarity”. Teacher clarity could easily transfer to deeper student understanding of the desired learning target. Clarity in knowing what the target looks like would make the target easier to meet..
What kind of goals should teachers be setting for writing instruction?
“Teach the writer, not the writing.
Teach strategies for elaboration and development.
Teach for transfer.
Teach for increased student independence.”
What could goal setting look like?
One way it could go is through the use of the goal and technique cards from this post. As a writer I could pull out the techniques that I have already taught for the writing types this year. I could list them in descending order by the frequency with which students are using the techniques. Then I could check the on-demand writing for the new unit and see which techniques are present. This is one example of using data to determine goals.
Another way it could go would be to set up an inquiry study. Students could have the technique cards and could self-assess their use and / or understanding of the writing techniques. Then these students could use the goal cards to set some writing goals for themselves. Maybe the goals will be about structure, development OR transfer! Maybe students can begin to be “better than the 1%” if they have:
to practice using the techniques
and goal-setting to improve writing across the text types.
Win/Win in Student Goal-Setting and Teacher Clarity!
Are goals for the day, month, or year?
Won’t there be a variety of goals and time lines? Perhaps there will be an over arching goal that all students will love to write that will have its own steps or mini-goals. Perhaps it will be to improve the quality of the students’ narrative writing during this unit. Perhaps it will be the goals for this week. But without clear goals . . . what learning path are you on?
How could you use the techniques cards, goal cards and teacher clarity of work to improve your own writing and/or student writing?
Thank you, Betsy, Beth, Dana, Deb, Kathleen, Lisa, Melanie, and Stacey for this weekly forum. Check out the writers, readers and teachers here.
Which of my 131 posts during 2016 were most read?
In reverse order (10 to 1) with a few notes:
What happens when a teacher “edits” with red ink?
Five books in February that were on my “MUST READ” list from authors: Stacey Shubitz, Kate and Maggie Roberts, Kim Yaris and Jan Burkins, Sonja Cherry-Paul and Dana Johansen, and Doug Fisher, Nancy Frey, and John Hattie.
Characteristics of professional development were highlighted for four different “sessions” attended within a two-week time frame. Are these important for you?
- Learning Collaboratively with Others?
- Available 24/7 to Revisit?
- Passionate and Inspiring?
Different ways to share – a symphony and a museum share from Celena Larkey, why students need to write with a pen from Colleen Cruz, letting students lead with mentor texts with Mary Ehrenworth, and “DON”T KILL THE BOOK” with Donald Graves keynote.
The value of READING mini-lessons with Amanda Hartman, the value of “practice, practice, practice with Kathleen Tolan, What readers need in order to become AVID readers with Mary Ehrenworth, and Matt de La Pena’s keynote! “Teachers and authors don’t often immediately see the results of their work. Patience . . . you will!”
Have you read this book? You should have annotated and dog-eared it by now! This post celebrates the twitter chats (with links to the storified archives) as well as an inside look into many of the activities Kim and Jan developed in their study guide. How do you know you have “learned” something? How do you expect students to share their learning? So many DIFFERENT ways are shared here!
Learning about the many ways of shared reading with Amanda Hartman, inquiry for developing fluency with Kathleen Tolan, close reading with Kate Roberts and the keynote session with Donalyn Miller. What a fabulous learning day!
A Lucy Calkins’ keynote on developing reading community, sessions with Amanda Hartman on “one-focused teaching point” and Kathleen Tolan – a mind-blowing small group read aloud. Never.thought.of.a.read.aloud.for.a.small.group. And so obviously why I need to continue to learn. Such a privilege to have been a part of Kathleen’s June Institute.
Have you read this book? You can create your own tools after reading this book. Better yet . . . study it with a friend and then work together on creating tools. Tip: Best part of this blog post is the “summary tool” that Kate created and the links to other pages about this session (Tara, Sally and NCTE).
This post includes quotes from Lucy Calkins (opening keynote), revision across the day with Celena Larkey, the power of stories with Colleen Cruz and planning for two or three days of small group sessions at a time from Amanda Hartman. What an amazing first day of Learning for the 2016 #TCRWP Writing Institute!
Data is so interesting. I was not surprised at the popularity of the #TCRWP posts as the June learning has been quite high on the list in previous years. Some of those posts continue to be “all-time” highs as well. I was surprised that the top 10 was split evenly between #SOL posts and #TCRWP posts and absolutely delighted to see that three of the posts where Kathleen Tolan really stretched my brain were in the top 10. I learned so much from Kathleen this past summer and YET had so much more that I needed to learn. It’s time to practice, practice, practice. I do write more “slices” than any other “type” of posts so I thank my slicer readers for boosting those stats! It was great to reread those posts with a “reader’s eye” as I considered WHY those posts were read more often than others!
What are you reading? What are you writing?
How do you set goals and reflect on those goals?
And as always, dear readers . . .
Because Margaret’s daughter was married yesterday, today’s digilit linkup is over at Julieanne Harmatz’s blog “To Read To Write To Be” here. Check out the other links.
Trust me, Conferring Carl is so right. Conferring is the whole cake, the whole enchilada, the whole meal because it’s already the combination of many great ingredients in a flavorful mixture designed to entice the consumer!
One goal of conferring is to move the writer to effective and more deliberate practices across multiple pieces of writing. The goal is NOT to just make this piece of writing better by fixing it. It’s about going for “big ticket items” that will help all future writing be better.
“How on earth do I do that?”
“Please say more . . .”
Conferring does seem to resemble coaching. I have been working with coaches lately and I know there’s also a part of coaching that involves a specific teaching point. Dana’s post here about teaching points in writing is so spot on. It’s about:
“Writers (insert a skill) by using (insert a strategy) so that (insert a purpose).”
There’s a part of conferring that requires the teacher and the student to have clear targets and end goals about writing.
Hattie, Fisher and Fry say it best with this finding from John Hattie (millions of kids in the data pool) about teacher clarity in their book Visible Learning for Literacy.
Teacher Clarity has an effect size with the equivalence of almost two years of growth in one year of instruction. That’s what the 0.75 means. A d= 0.40 means one year’s growth. That’s why the 0.40 is often used as the “cut point” for choosing effective strategies. (Mini-stats course/refresher)
So what do clear teach goals look like? What are the possiblities?
Here is an example of one way a class is looking at “leads” for organization in narratives based on checklists (Calkins and colleagues, Units of Study in Writing). If a student identifies that “leads” are the area of “trouble” that he/she wants to work on in a conference, a checklist like this may have been used. The student would not just be saying, “This story is not good or this lead is not good.” Instead the student would be saying, “I need to work on leads because my readers have commented on the last two stories that it’s hard for them to get right into the story.” This student may have self-identified that most of his/her leads were only a “one-star” lead according to a chart like this. The goal might be four star leads.
The long term writing goal for this student may be about volume, it may even be about stamina, but for now this student really wants to focus on better leads so
and not stop reading
because there is no hint of
what might later become a problem for the reader.
Do you see langauge that might lead to a teaching point?
Teachers don’t need a “new and different” list of resources to confer from. They are working with the lessons that have been taught and/or looking for those next step items that will strengthen student writing across the rest of the year. Leads are important in narratives, informational writing, and opinions/arguments.
Is this the only concern in a narrative lead for fourth graders?
Of course not. But this use of checklists in goal setting (Calkins and colleagues, Units of Study in Writing) helps students (and teachers) who are not yet expert writers with some common language that can be used for teaching points within a conference to improve all future pieces of writing. The student made some choices about his/her own writing and made a conscious decision about what to work on. That’s a win/win.
The writing conference needs to be about moving forward. There are many ways to move writers forward throught conferences that are shared in many books (and Conferring Carl’s books are awesome)! How’s It Going? is a must have for your professional collection and has this review:
“This is by far the best writing on the conference I have read. It is a book that is far superior to the other texts-including my own.
—Donald M. Murray”
But the work ultimately needs to be done by students and involving them in this process and honoring their own goals/wishes/needs is critical. A conference like this with a writer allows the student to continue writing and may well set them up to be able to show peers and parents exactly how personal work with leads has improved his/her own writing.
This student may well be able to teach other students exactly how and why to do this with their own writing. More writers who know why and how . . . that’s a reason to invest time in writing conferences.
Don’t worry about perfect conferences! CONFER!
What’s your next “Conferring” step?
Twitter connections are so fabulous. Via Twitter today I found out that the focus of #Digilit Sunday was function. Check out Margaret’s post here. The part of “function” that I have been thinking about a lot lately is “executive function”.
It’s close to the end of this school year, but how can students still be increasing their own level of executive function? Isn’t this where deep learning and even transfer live? Isn’t this the whole point of moving beyond “surface learning”?
And of course, the most important factor in executive function, in my opinion, is that a student has had plenty of opportunities to “do the work”? How do teachers ensure that students are doing the organizing and the self-talk? They must “say less so readers can do more” and demonstate over and over that they really can do the work with panache and confidence!
For me, the connections from this post all began years ago during TCRWP Writing Institute with a conversation between Allison Jackson and myself about this book. That conversation grew into a book study, Twitter chats and actually meeting the authors. Completely life-changing . . .
The function of learning is that students do the hard work of making meaning. That students actually dig into surface, deep and transfer learning. That teachers are like the conductors on the train. Recognizing the signs, making them visually and verbally apparent, but that ultimately students are really the ones who need to be in charge of their learning. And that learning should always, always, always be JOYFUL!
Unfortunately, this Mark Twain quote may still be true:
I have never let my schooling interfere with my education.
But I can learn in spite of or even despite my education!
Is learning the FUNCTION of your work?
How do we know?
New professional books in the field of literacy are headed your way this spring from the following authors: Stacey Shubitz; Jan Miller Burkins and Kim Yaris; Kate and Maggie Roberts, Dana Johanson and Sonja Cherry-Paul; and Doug Fisher, Nancy Frey and John Hattie. Get ready for some amazing learning!
Stacey, Two Writing Teachers, has this book out from Stenhouse this spring: Craft Moves: Lesson Sets for Teaching Writing with Mentor Texts. Stacey blogged about her book here.
Jan and Kim’s book (available May 2nd from Stenhouse):
Kate and Maggie’s book (available April from Heinemann):
Dana and Sonja’s book also available in April from Heinemann :
And from Doug, Nancy and John (March, Corwin Press):
Coming later this year a new book from Vickie Vinton . . .
Waiting is so hard . . . sometimes waiting on “new friends” is harder than waiting on Christmas.
Where will you start?
What books are on your professional reading list?
Do you share “your reading plans” with your students?
(*Truth: I have some 2015 books to finish soon to clear the decks for spring break reading!)
Tuesday is the day to share a “Slice of Life” with Two Writing Teachers. Thank you, Anna, Betsy, Beth, Dana, Deb, Kathleen, Stacey, and Tara. Check out the writers, readers and teachers here. Get ready to share your writerly life in one week with the March Slice of Life Challenge!
This summer is a FEAST of professional development for me. I had the great fortune of being accepted for two weeks of learning at TCRWP for Writing and Reading Institutes. (You can check out my public learning log under the “Recent Posts” at the right.) Next weekend I will be in St. Louis for ILA.
How are you preparing for your learning?
What information do you need to KNOW before you look at specific sessions?
Do you look for specific PEOPLE?
Do you look for specific TOPICS?
Here’s the link to the 16 page preview guide pictured above.
I used the search tool to create a DRAFT LIST of those I know that I MUST see.
Chris Lehman – Sunday, Writing from Sources is more than. . .”The Text Says”
Jennifer Serravello – Sunday, Accountability, Agency, and Increased Achievement in Independent Reading
Nell Duke – Saturday, A Project-Based Place
Lester Laminack, Linda Rief, and Kate Messner – Saturday, The Writing Thief: Using Mentor Text to Teach the Craft of Writing
Penny Kittle and Donalyn Miller – Sunday, Complex, Rigorous and Social: Fostering Readerly Lives
and then added in others previously marked in the program:
Tammy Mulligan and Clare Landrigan – They are authors of the book Assessment in Perspective: Focusing on the Reader Behind the Numbers.
Dana Johansen and Sonja Cherry-Paul – Preconference Institute – Friday, Reading with Rigor: Interpreting Complex Text Using Annotation and Close Reading Strategies
Kim Yaris and Jan Burkins – They are the authors of Reading Wellness. Check out a bit of their work here.
Kylene Beers and Bob Probst – Notice and Note and Nonfiction version to be out in October.
Doug Fisher and Nancy Frey – Many, many ELA texts involving Gradual Release of Responsibility
Other faves that I hope to see at ILA15 include: Vicki Vinton and Dorothy Barnhouse – What Readers Really Do; Dr. Mary Howard – Good to Great; and ANY and ALL TCRWP folks!
Any Two Writing Teacher Slicers? – please say hello in person!
Any #G2Great chatters?
Any #TCRWP afficionados?
I’m ready to rename ILA15 as “Gateway to the STARS!” as I look at this line up of literacy greats. What great learning opportunities and I’m still at the pre-planning stage. (Maybe I will find Hermione’s secret so that I can be in at least two locations at the same time!)
Who would you add to this list?
I was back in some classrooms this week and I was continuing to think about generative writing, in particular with younger students. See this earlier post for the nuts and bolts about generative writing. I continue to believe that it’s a powerful strategy not only for writing but also for formative assessment.
I saw students working with tubs of objects based on the vowel sounds of the words. The tubs looked like these.
These first graders were using the tubs to name the objects, write the words and / or use the words in sentences as part of a focus on Word Work during Daily 5 rotations. Students could choose the vowel sounds tub that they wanted to use. Some students were writing words, others were writing sentences, and still others were filling a page with sentences that clearly demonstrated their understanding of the items in the tubs.
How did I know the students were learning?
At first glance it seemed that students were working on many different levels of writing. How could I capture that information? My mind was buzzing. What did I see in front of me? How could I capture that information and make it usable as well as “teacher friendly” so that it could be one piece of formative assessment that was used to guide future instruction?
What if I created “messy sheets” to “sort the work that students were doing? See Clare Landrigan and Tammy Mulligan’s blog (@ClareandTammy), “Organizing and Displaying Assessment Data so We can Use It” for an explanation of messy sheets (or check out their book here).
Here are my drafts of two types of messy sheets (student names would surround the ovals – initials are shown for the first two ovals on the left): one for volume of writing and one for quality of writing. (Do note that I did not have a complete set of classroom data and I was operating on the basis of what I saw students doing at that point in time.)
What do I know about a writer who only uses the “word” as the last word in a sentence (thinking back to the previous post about generative writing)? Which “Messy Sheet” helps me better understand these writers? Is it an either / or? Do I have to choose one? My questions continue on and on.
Take a deep breath.
Remember my “OLW15” (“One Little Word”).
Can my questions guide my continued study of the student writing? If yes, then I might also consider adding ovals or even a third “Messy Sheet” for conventions. From this writing sample, I could gather data about the “transfer” of learning from one writing activity to another. Which students consistently have capital letters at the beginning of their sentences? Which students consistently have end punctuation? (I don’t need to give students a prompt. I can use this “data” to add to my picture of each student as a writer!)
How could a teacher use the information from the “Messy Sheets” to guide instruction?
In order to determine the need for additional small group or whole class explicit instruction, I could develop instructional groupings! Here are three examples:
◦Use generative writing in small groups to work on missing skills in writing for the students.
◦Tape record instructions of generative writing for students to complete in small group with a leader in charge of the recording. (interactive white board with picture and recording or ipad)
◦Revise and expand generative writing in a mini-lesson during Writer’s Workshop. (ie. Work with revising sentences in writing pieces to further develop sentence fluency and/or to show word meaning when deepening word understandings)
Additional Word Work:
Let’s consider the “long a” tub that is open in this picture. It contains the following miniature items: snake, scale, whale, bacon, baby and a cage. Students can practice naming each of the items and can record those words on paper because they are listed on the under side of the cover. Additional activities that involve sorting could be combining items from the long a and short a tubs and sorting them into columns based on the vowel sound, the location of the vowel sound, or even the number of syllables in the words (or even the spelling patterns that are used for that particular vowel sound – How many follow the cvce pattern?).
How might you use generative writing in the primary grades or to teach the writer?
Tuesday is the day to share a “Slice of Life” with Two Writing Teachers. Check out the writers, readers and teachers here. Thanks to Stacey, Anna, Beth, Tara, Dana and Betsy for creating a place for us to share our work.
Last week I was working with a group of pre-service teachers like I do every semester. I lingered on the writing examples, techniques and goals in the genres, mentor texts, and specifically generative writing. As I presented to this group, I literally wondered “aloud” why I had never written about generative writing. I believe that the power of generative writing lies in its ability to replace tired, ineffective DOL practice with meaningful, relevant writing that can also be used as formative assessment tasks.
So what did the pre-service teachers do?
They wrote a sentence where “writing” was the first word in a sentence with at least 10 words. And then they wrote a sentence where “writing” was the last word in a sentence with at least 10 words. Finally they wrote a sentence with “writing” as the fourth word in a sentence where they could choose the length (but it had to have a minimum of five words so “writing” was not the last word).
And then we had a conversation/discussion with a few focused questions:
- Which sentence was the hardest to write?
- What made it hard?
- What strategies did you use to help complete the task?
The majority said that the sentence with “writing at the end” posed the most challenge because it was the complete opposite of the first sentence. Some said that the first two were basically easy because it was about “flipping” the words in the sentences and that the third use of “writing” as the fourth word was harder because “you had to think about what could go before it”.
Strategies that they used were counting words on their fingers, oral rehearsal, drafting and scratching out, drafting and then counting, and checking with a partner. This was meant to be an introduction, that in a classroom would include oral practice, study of mentor texts, and examples of vocabulary words used in various positions in real published work.
What is Generative Writing?
Generative Writing is a term used to describe instructional strategies that provide students with parameters for their writing. These factors define boundaries for writing at the sentence level.
Providing a word to be used
Defining the word’s position in the sentence
Specifying the number of words in a sentence
Limiting the number of words in a sentence
The model described above comes from Doug Fisher and Nancy Frey’s Scaffolded Writing Instruction: Teaching with a Gradual-Release Framework.
What are the effects of generative writing?
- Build sentence fluency
- Build word choice
- Deepen understanding of content
- Deepen understanding of vocabulary
- Use writing as a tool for learning
- Write in a variety of genres
I think that sentence fluency, word choice and writing in a variety of genres are already covered in many writing workshops at a variety of grades. However, I believe that using generative writing in content areas to deepen understanding of content, vocabulary and even as a tool for learning and assessment are previously untapped areas of formative assessment that could be guiding higher-quality targeted core instruction for ALL students.
So how would I use generative writing as a Formative Assessment?
I would use this with departmentalized content-area teachers who have all of their own content standards as well as a responsibility for reading and writing ELA standards. Asking a science class to use “photosynthesis” as the first word in a sentence will probably result in a definition. Here is an example of how the work may be sorted as well as the plan for using a second generative writing after some re-teaching.
How did I plan for the generative writing at the top of the page?
I am a firm believer that I must “practice what I preach” and complete writing tasks in order to increase my own understanding of writing. So of course I actually wrote some sentences. Here are some examples of sentences that I generated during the planning phase for my work.
Writing is one of my favorite ways to express ideas because my artistic and musical talents are limited. There are some days that I feel like the most important part of the day is when I have time for writing. Some may argue writing is just one of many skills that students need to develop, but I would suggest that totally divorcing reading and writing is an exercise in futility. “Show don’t tell” and “Teach the writer not the writing” are my two most favorite Lucy Calkins’s quotes about writing. What are your favorite quotes that you use to encourage writing?
The tasks I assigned myself:
- Use “writing” as first word in a sentence with at least 10 words.
- Use writing as the last word in a sentence with at least 10 words.
- Use writing as the fourth word in a sentence as well as somewhere else in a compound/complex sentence.
- Use writing as the last word in a sentence using quoted text.
- Use writing as the last word in a question.
- Develop a cohesive paragraph during this generative writing exercise.
I believe I met all 6 of my tasks; what do you think?
How might you use generative writing?
(During March, I am blogging daily as a part of the Slice of Life Story Challenge!) Special thanks to the hosts of the Slice of Life Challenge: Stacey, Tara, Dana, Betsy, Anna and Beth. More Slice of Life posts can be found at Two Writing Teachers .
How do teachers maximize time for student benefits?
Tip One: Increase talk time of students in order for them to solidify their learning. A very specific tip was shared by Lucy Calkins at the Spring Saturday Reunion at Teachers College.
Five minutes. Find five minutes for students to talk after they have been reading. No cost. No text dependent questions. No quiz.
“TALK!” – Lucy Calkins
Chapter 1 “Why Talk is Important in Classrooms” from Doug Fisher and Nancy Frey’s Content Area Conversations will give you additional ideas about the value of talk including “Reading and writing float on a sea of talk.”
Tip Two: Maximize your use of small groups across the day from Shanna B Schwartz. “Weave small groups across the day, through reading workshop, writing workshop and word study periods.” Use small groups to help students meet targets and accelerate learning!
Another source of information about “small group” instruction is Debbie Diller’s Making the Most of Small Groups: Differentiation for All. In this book Diller also explains the difference between guided reading groups and small groups working on such skills as comprehension, fluency, vocabulary, etc. The goals of the group are determined by the data upon which they are formed!
How do you use TALK after reading to improve comprehension? How do you use small groups across the day?
(During March, I am blogging daily as a part of the Slice of Life Story Challenge!)
What an historic event yesterday! #EdCampIowa was held at five locations across Iowa. A phenomenal bunch of educators gave up their Saturday freedom to participate in a day of collaborative learning.
Not familiar with an EdCamp? Official information from the EdCamp wiki can be found here. Additional information about #EdCampIowa can be found here. And Shira Leiboweitz wrote a great blog post about “Why I Hosted Two EdCamps?”
I was fortunate to attend the “Central” location organized by @JamieFath and held at #SEPolk which is 1.5 hours from my home. Many came from the Des Moines metro area, but others came to our location from Illinois, Nebraska, Oklahoma, and Colorado.
The call for sessions filled pretty quickly, newbies were encouraged to tweet and make new friends and the talk quickly centered around student learning. The sessions often were posed around a question or two: What about those students who struggle? How do we know students are learning? Is it about reporting the learning (based on the standards) or is it about the grades? And in the ensuing conversations, I loved the fact that MANY people from a variety of districts were discussing instruction in terms of the “Gradual Release of Responsibility.” Google docs allowed group participation in note-taking with many listed/ linked articles and resources.
Were deep, thoughtful answers a result with 20-25 people in a room and a spirit of “conversation” not presentation?
I am not sure. One particular question stuck with me as I drove home. A second grade teacher had students that were having difficulty writing paragraphs and limited “evidence of thinking.”
How can we create success for ALL students?
It was the last session of the day. The room was full. Many people wanted to talk so monopolizing the conversation was not possible. Questions immediately came to my mind. How many students were having trouble? How did they respond to Questions, Cues, and / or Prompts – guided instruction phase of Gradual Release of Responsibility (Doug Fisher/Nancy Frey)? I needed additional information about response to instruction. Even the questions, “What did instruction look like? How many “models” of writing by the teacher? How many collaboratively by the students?” In hindsight, I might query, “Do the students talk in paragraphs (more than one connected sentence on the same topic)? Do the students ask questions?” or in other words, “What can the students do NOW?”
What do I wish there had been time to share, demonstrate, and practice?
Writing is often the “end product” for our youngest learners after much talking with a partner. What has to happen FIRST before students can or should be asked to write? I love to see students tell a story across their fingers, a la Lucy Calkins. No graphic organizer needed. What happens in the story at the beginning (touch index finger), the middle (touch 2nd finger) and the end (touch ring finger)? The student can orally rehearse the story as he/she literally tells the story by individually touching a finger for that all-important sequence development.
I would also consider the use of communication lines with students. Again these tie in nicely with Gradual Release and Quality Instruction as well in the productive group work phase. It’s also a chance for the students to get up, move, and refocus. Have you used them?
Typically a class is divided in half with two lines of students facing each other with about six-10 inches between the faces (Students 1 and 13 from chart below). Students in the same line are at arm’s length between each other so they can clearly hear their own two-part conversations (Students 1-12). The first chart below shows what those two lines might look like as the two “partners from Line A and B face each other” and take turns telling their story.
Then for round two, the students in Line A move three spaces (persons) to the left while students in Line B stay exactly where they began. Each partner group of two students facing each other again take turns sharing their own story with the new partner.
Round three is the same process with students in Line A moving three more spaces (persons) to the left and the students in Line B still do not move. With 24 students it is possible to do a fourth round depending on whether the students need the extra oral practice.
How do the conversation lines help?
All students have at least three opportunities to “tell” their story to a peer. They also have heard three different stories. The teacher has just increased the likelihood that ALL students will be able to write down the story that they told or that they can modify that story based on whether they want to “borrow” any details from any of the partners! Will it work for 100% of the students? No. But guess what? When a student gets “stuck” remembering their story, the teacher can redirect them to their last partner for further conversation. The students are less dependent on the teacher! Having partners share their written work at the end of the writing time also allows the partners a chance to “hear” how the stories turned out. (A video small group demo of conversation lines with ELL students is here.)
Why is this critical?
Students with IEP’s, struggling students, ELL students, or even students who have not done a lot of writing need large quantities of oral practice telling stories before they can begin to write those stories. It is not helpful for a student to sit and stare at a blank piece of paper. A story will not magically appear in the brain of a child. Quick, simple strategies to increase talk/ conversation are critical in order to maximize the amount of time available for writing!
What about older students in middle school or high school?
Many students struggle with using a “graphic organizer” for planning writing. They believe that the organizer is the task and then do not engage in the actual drafting. They also worry more about filling in the boxes/shapes than they do about the content of their responses. Other students don’t know if they have anything “worthy of writing” or whether it is “what the teacher wants.” All of these students would/could benefit from oral rehearsal before beginning to draft a piece of writing.