I search my computer.
My starting point.
What do I already have?
Take a walk.
Come back and dig in.
What does this connect to?
Who are my go to authors?
The most accurate sources?
So many tabs open that I can only see a letter on each.
What to keep?
What to file?
What to read?
Which books do I put on my stack?
And the big question:
What to use?
I’m working on my PD for Monday.
What’s my plan?
What’s my process?
Be not dismayed!
I have books.
I have professional books.
I have shelves and shelves and shelves of books!
But sometimes my book is on my desk at the office . . .
And sometimes someone has borrowed my book and is reading it!
Have you seen my secret weapon?
This was new to me just last month. It’s the Heinemann Digital Library and it’s already been a lifesaver. Understand this. I greatly admire the many authors that can narrow down their “5 Most Influential Book Lists”. I really, really do! However, I struggle to narrow down my “Top 5 Books for Fluency” or “My Top 5 Books for Conferring” or My Top 5 Books for Small Group Instruction”. (Is it too many books or too many favorites?)
What’s the Heinemann Digital Library?
It’s an annual subscription resource for unlimited and searchable access to books, articles, videos and even courses to learn more about reading, writing, assessment, early childhood, math, school improvement, and many more topics.
Why am I so fascinated with the Heinemann Digital Library?
Well, I am often known to have TWO copies of my well-used, beloved professional books. One is marked up with questions, comments, “!”, “*”, and other annotations. Pages will be dog-eared. Some may be tabbed. And yes, there will be sticky notes but those notes don’t remain sticky for long if I’m constantly peeling them off to peer at the words underneath. Access to the digital library now means that I can access the resource from my computer which is so handy when quite frankly, I don’t really remember where the book is right now.
How have I used this resource?
Here’s one example. I needed to add more information to my knowledge base and find some specifics for increasing student engagement during writing workshop. I have several resources on my stack on my desk:
Writing Pathways by Lucy Calkins
The Unstoppable Writing Teacher by Colleen Cruz (also in the Digital Library)
The Writing Strategies Book: Your Everything Guide to Developing Skilled Writers by Jennifer Serravallo
But I now also have these books, articles and a video courtesy of the Heinemann Digital Library.
One video, two articles, and three books . . . plus the resources that I already have. I’m pretty confident that I have a wide range of professional resources from recognized literacy researchers, experts and teachers. I have my resources and I’m now ready to work!
How does this connect to classroom work?
This is also the work that I would expect high school students to complete independently (after providing the groundwork in elementary) for the following ELA College and Career Ready Anchor Standards.
“CCRA.R.1 Read closely to determine what the text says explicitly and to make logical inferences from it; cite specific textual evidence when writing or speaking to support conclusions drawn from the text.
CCRA.R.2 Determine central odeas or themes of a text and analyze their development; summarize the key supporting details and ideas.
CCRA.R.5 Analyze the structure of texts, including how specific sentences, paragraphs, and larger portions of the text (e.g., a section, chapter, scene, or stanza) relate to each other and the whole.
CCRA.R.7 Integrate and evaluate content presented in diverse media and formats, including visually and quantitatively, as well as in words.
CCRA.R.8 Delineate and evaluate the argument and specific claims in a text, including the validity of the reasoning as well as the relevance and sufficiency of the evidence.CCRA.R.9 Analyze how two or more texts address similar themes or topics in order to build knowledge or to compare the approaches the authors take.CCRA.R.10 Read and comprehend complex literary and informational texts independently and proficiently.”
“CCRA.W.2 Write informative/explanatory texts to examine and convey complex ideas and information clearly and accurately through the effective selection, organization, and analysis of content.CCRA.W.4 Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience.CCRA.W.5 Develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach.CCRA.W.6 Use technology, including the Internet, to produce and publish writing and to interact and collaborate with others.CCRA.W.7 Conduct short as well as more sustained research projects based on focused questions, demonstrating understanding of the subject under investigation.CCRA.W.8 Gather relevant information from multiple print and digital sources, assess the credibility and accuracy of each source, and integrate the information while avoiding plagiarism.CCRA.W.9 Draw evidence from literary or informational texts to support analysis, reflection, and research.CCRA.W.10 Write routinely over extended time frames (time for research, reflection, and revision) and shorter time frames (a single sitting or a day or two) for a range of tasks, purposes, and audiences.”
I would not presume to say that “working on the standards ONCE” would allow me to determine whether the standard has been met. I would want a body of evidence but that’s a whole different series of blog topics!
If you plan professional development, what’s your process?
Where do you get your quality resources?
Heinemann Digital Library Link here
and, in the spirit of disclosure, Yes, this was written after conversations with Cathy Brophy at Heinemann after I purchased my own personal membership to the Heinemann Digital Library and tweeted about it.
Thank you, Betsy, Beth, Deb, Kathleen, Lanny, Lisa, Melanie, and Stacey for this weekly forum and the #SOLSC that runs from March 1 to the 31st. Check out the writers, readers and teachers here.
Which of my 131 posts during 2016 were most read?
In reverse order (10 to 1) with a few notes:
What happens when a teacher “edits” with red ink?
Five books in February that were on my “MUST READ” list from authors: Stacey Shubitz, Kate and Maggie Roberts, Kim Yaris and Jan Burkins, Sonja Cherry-Paul and Dana Johansen, and Doug Fisher, Nancy Frey, and John Hattie.
Characteristics of professional development were highlighted for four different “sessions” attended within a two-week time frame. Are these important for you?
- Learning Collaboratively with Others?
- Available 24/7 to Revisit?
- Passionate and Inspiring?
Different ways to share – a symphony and a museum share from Celena Larkey, why students need to write with a pen from Colleen Cruz, letting students lead with mentor texts with Mary Ehrenworth, and “DON”T KILL THE BOOK” with Donald Graves keynote.
The value of READING mini-lessons with Amanda Hartman, the value of “practice, practice, practice with Kathleen Tolan, What readers need in order to become AVID readers with Mary Ehrenworth, and Matt de La Pena’s keynote! “Teachers and authors don’t often immediately see the results of their work. Patience . . . you will!”
Have you read this book? You should have annotated and dog-eared it by now! This post celebrates the twitter chats (with links to the storified archives) as well as an inside look into many of the activities Kim and Jan developed in their study guide. How do you know you have “learned” something? How do you expect students to share their learning? So many DIFFERENT ways are shared here!
Learning about the many ways of shared reading with Amanda Hartman, inquiry for developing fluency with Kathleen Tolan, close reading with Kate Roberts and the keynote session with Donalyn Miller. What a fabulous learning day!
A Lucy Calkins’ keynote on developing reading community, sessions with Amanda Hartman on “one-focused teaching point” and Kathleen Tolan – a mind-blowing small group read aloud. Never.thought.of.a.read.aloud.for.a.small.group. And so obviously why I need to continue to learn. Such a privilege to have been a part of Kathleen’s June Institute.
Have you read this book? You can create your own tools after reading this book. Better yet . . . study it with a friend and then work together on creating tools. Tip: Best part of this blog post is the “summary tool” that Kate created and the links to other pages about this session (Tara, Sally and NCTE).
This post includes quotes from Lucy Calkins (opening keynote), revision across the day with Celena Larkey, the power of stories with Colleen Cruz and planning for two or three days of small group sessions at a time from Amanda Hartman. What an amazing first day of Learning for the 2016 #TCRWP Writing Institute!
Data is so interesting. I was not surprised at the popularity of the #TCRWP posts as the June learning has been quite high on the list in previous years. Some of those posts continue to be “all-time” highs as well. I was surprised that the top 10 was split evenly between #SOL posts and #TCRWP posts and absolutely delighted to see that three of the posts where Kathleen Tolan really stretched my brain were in the top 10. I learned so much from Kathleen this past summer and YET had so much more that I needed to learn. It’s time to practice, practice, practice. I do write more “slices” than any other “type” of posts so I thank my slicer readers for boosting those stats! It was great to reread those posts with a “reader’s eye” as I considered WHY those posts were read more often than others!
What are you reading? What are you writing?
How do you set goals and reflect on those goals?
And as always, dear readers . . .
On Friday the pace quickens, the sessions are shorter, goodbyes to session partners are bittersweet, the closing session is uplifting and motivating and then final farewells to friends who leave for home and other travels (Boothbay, ILA, Nerdy Book Camp). New trail guides are perused. Weekend planning begins.
But I must end the week with a smidgeon more.
|Advanced AM Session
Ratchet up the level of your students’ writing by teaching them revision: Tapping into the power of mentor texts and checklists (K-2
- Our ultimate goal: Teach our students how to “mine” mentor text. (published, teacher written, AND student written) When students can mark up texts, they will truly know the strategies/skills. CL
- Our toolkits need a wide variety of pieces in a variety of process stages for examples. Some pages may even need to be in plastic sleeves for extra practice by students. CL
- Students need to talk more EVERY day. Find little pockets of time (like snack time) and create little boards to rehearse the stuff on the checklist. CL (Double, triple, quadruple the talk time to increase volume and stamina in writing.)
- The Units of Study are not always specific about revision. Maybe you will add a physical revision bend for three or four days as a mini-bend towards the beginning of the unit and then another day in bend 2, bend 3 and before the end of the unit with a revision club. C
- Have writing goals. Make sure that the goals are clear. Have you ever had revision goals like:
Using tools to revise
Revising to make ideas clearer
Revising to make structure better
Review revision in each unit and build the expectations across the year. CL
How will we know talk and rehearsal are important in your classroom?
How will we know that students are working on revision every day? Across the day? And across the units?
|Advanced PM Session
Power Tools, Methods and Strategies: Access and Support for English Language Learners and Kids with IEPs in the Writing Workshop (4-8)
We made some tools today that matched the needs of our case studies. They were mini-charts, bookmarks, and choice tools for students. Many were flexible so students could add or take away skills/strategies as needed.
- Use Smarter Charts or DIY Literacy for basic ideas for tools and tool development.
- Consider whether some pictures/icons should be the same across the grade/building for increased access AND understanding for ALL students. (reading – same book, writing – same pencil/pen)
- Consider how color coding could increase access for students: science = green, writing = blue, across the grade/building.
- Provide choices in writing tools for students. Check the recommendations of OT/PT/SLPs. (As I looked around our classroom, there were many variations in tools!)
- Build a plan for the year. Think of it as menu planning for your entire family. What dishes can everyone share? And what dishes meet specific needs/diets? Be planful in advance so that everyone has the sustenance that they need!!
Who ALWAYS asks the question: “Is this good for ALL students?”
How can planning in advance for ALL students improve instruction across the board for ALL?
Lucy began our closing as she began the opening onMonday. . . “We came from 48 nations and 43 states . . . ”
We thanked everyone who made this week possible.
ALL the staff at TCRWP, Teachers College, and our beloved Staff Developers for the week.
Celebrating Student Writing – and the Effect of Your Teaching
We looked at student work to celebrate the growth in writing where we could see huge growth from the beginning to the end of a unit. But we also celebrated what wasn’t necessarily the attainment of a standard or items on rubrics and checklists.
Writers develop a deep passion for knowledge.
Writers cultivate their urge to teach others.
Writers making sense of themselves, exploring their identities.
Writers increasing their visibility.
Writers developing a deep sense of civic engagement.
Writers learning to correct social injustices.
- Just as students celebrate their writing, teachers must regularly celebrate their writing instruction and feed their writing souls.
- Writing improvement may seem like it’s gaining at a tortoise pace, but movement will vary across students. Celebrate growth!
- What are your grade level expectations? Are your goals concise?
- What is your grade level vision? Is your vision broad enough?
- A la Katherine Bomer, what critical literacies do you encourage:Superheroes, Muscles, Politicians / leaders, Fantasy, or Argument – that founding skill set of a democratic country?
What takeaways are going to linger with you?
What and where do you need to consider “revising” in your instruction?
New York City
This rural Iowa dweller says thanks for all the opportunities:
for face to face meet ups with friends from Twitter, Twitter chats, and Voxer,
to be able to chat excitedly with fellow Slicers, bloggers and authors,
to dine in all sorts of fabulous places,
and in such great company.
Attending the musical “Fun Home”in the Round was magical.
Ahh, the bookstores
Jazz at Smoke
So much to see and do
While in NYC
For #TCRWP’s Writing Institute
Because the learning does NOT stop when the sessions end!
The conversations, the questions, the talk about “What are you reading?” and “What are you writing?” continues into the night!
A glorious week long adventure!
Thanks to you, my friends
And Lucy and ALL at the Teachers College Reading and Writing Project.
And what about the learning on Day 4?
I begin, again, at the end,
the eloquence of Pam Nunoz Ryan
who brought us to tears with her harmonica rendition of “America the Beautiful”.
Thanks to Fiona Liddell and Twitter for this picture.
What an eloquent author and so nice to hear the backstory, see the grids of characters and plot, as well as the research that went into Echo – a MUST READ book for your #TBR (To Be Read) list.
- Find your passion.
- Thank those who help you find your passion.
- Writing a novel is hard but rewarding work.
- Stories matter, stories matter, stories matter!
- Rereading stories is important!
Have you read Echo?
Please reserve it at your local public library NOW!
Choice Workshop – Colleen Cruz
Editing Does Matter: Spelling, Grammar, and Vocabulary in a Writing Workshop
To think about when teaching Spelling, Grammar, and Vocabulary:
Teach into developmental level so it will stick. What do they know? What are they trying to approximate? We looked at a student piece of work. What can this student do?
- Curriculum and standards What should we teach?
What do my standards say that the students need to learn by the end of the year?
Just as revision is not taught only once in the writing process; editing is taught more than once in writing process. First time – teach in editing (comma in clause) in order to lessen the cognitive load for the students. Then the second time teach comma in clause during revision. And for the third time, the student can focus on the comma when generating ideas in his/her notebook. The repetition will be helpful for students!
Each time we revisit the skill, our methods may vary – or not! The typical methods are:
b. Apprenticeship – Mentor author – Example
c. Inquiry- let’s see what we find in the world and then find patterns (bio, /er/ was/were)
The tools can either be Teacher created or Student created. For grammar it may be a series of books to cover the variations in journalism grammar, grammar for fiction writer, or grammar for academic writing. It may be fun grammar books, vocabulary picture books, mentor texts, or student examples. Or it may be editing pens, gel pens, or other irresistible editing tools. Quite literally, physical tools like Mini editing checklists with 2 or 3 things they are checking for! Whatever they are into! Students can make their own reminder sheets! Work with grammar, spelling and vocabulary should be in the spirit of FUN and Exploration. NO RULES for number of spaces after a period. Talk about conventional understandings. How do people expect it to go?
- Perfection in writing is not the goal for 9 year old students. The New York Times allows four errors per page with page writers and paid copyeditors. No published piece of writing in the world has ever been 100% perfect.
- If you are writing with passion and focusing on content, writing will slip when you are“letting it rip”. Errors are a good sign because they indicate risk-taking.
- Post “not perfect” student work on the hallway bulletin board. Make a huge label and Celebrate – “Check out our capital letters and end punctuation. We’ve been working hard on them and ALMOST have them!”
- Kids fall into automatic, manual, wrong – if kids aren’t automatic, it does not mean they are lazy , not trying, or don’t care. It just means they haven’t mastered that skill YET.
- Conventions, spelling, grammar, and vocabulary work should be FUN and PLAYFUL!
How does your instruction in Spelling, Grammar and Vocabulary match up?
What’s one change that you would consider?
Jack Gantos was the featured keynote today during the TCRWP June 2016 Writing Institute. And he ended with
“See the stories and be the person who can write the story.
If they can write them, YOU can write them, too!!!
What a challenge!
If they (the students in your classrooms / your buildings) can write them,
YOU (all the adults in the auditorium – teachers, coaches, administrators) can write them (the stories), too!!!
Do you write?
Do you write on a regular basis?
The questions above were designed intentionally for you to think about your writerly life. How do your students know that you are a writer? Do you demonstrate your own writing? Do you use your own writing in your explanations? How do you “DO” these focused rewrites as Jack Gantos named them? How do you teach them?
The Writer’s Journal: Content, Structure, Rewrites = Success
- Elements from picture books are the SAME elements you find in short stories and that you will also use in setting up your writing journal so you can’t say, “Nothing interesting happens to you!” JG
- Your job when you sit down to write is to press the go button; you want to get words on the paper! JG
- Jack’s writing process: 2 hours 1st draft writing; 2 hours 2nd draft writing and then candy = 2 hours of reading! Another 2 hours of work after the scheduled reading. JG
- Don’t wait to read until the end of the day when you are too tired to remember what you read!
- If stop at physical ending, you will miss the emotional ending – what connects to the reader . . .JG
What Methods Do We Use with Mentor Texts?
Today, I heard Celena, Colleen, and Emily all talk the same language/consistent message about the instructional methods used with mentor texts depending on the purpose/needs of your students.
Demonstration Writing – How to do it step by step
- Has voice over of “how to do it”
- Might begin with a frame
- Shared writing
- Zero shame in using demonstration writing from the Units of Study IF it fits!
- Be aware that not all pieces work as well as others!
Explanation / Example
- Here’s the text and the explanation
- Example of how to take mentor text and put it into action
- Not step by step
Inquiry (Colleen Cruz details)
- Powerful in terms of agency and independence
- Learning theory – What student discover on own sticks more!
- Not everything is best taught with inquiry
- Sometimes there is content you need to know
- “Putting your hand in hot oven will burn it – don’t need to learn from inquiry
- That would be irresponsible
- No way to discover strategies – kids will not find boxes and bullets on their own
- Don’t use inquiry if only ONE right answer = allow differences!!
- 3 favorite things to teach during Inquiry
- Inquiry is good for ALL kids!
- Develop task cards
- Combine inquiry with structure/small groups
- Include discussion as rehearsal
Takeaways for Methods of Instruction:
- There is no one method of instruction that works ALL the time for all students!
- Match your Method of Instruction with the needs of your students.
- Check your methods for when you PLANFULLY teach/provide for “transfer work”.
- Consider when students are able to “Do the work themselves”.
- Always consider: “Would the students be better off writing?” Is “THIS” teacher talk time really more important than student writing time?
How do we demonstrate process with mentor texts?
I also heard Celena, Collen, and Emily talk about both the need for as well as how to demonstrate process with mentor texts. This seems easiest with teacher or student texts. But you can also go to Melissa Stewart’s website for a behind the scenes look at the process involved in writing No Monkeys, No Chocolate here. That book was not written overnight!
In Celena’s session today, we actually worked on making our own process mentor texts with a plan for writing, first draft, first draft with some revisions, and draft fancied up!
Takeaways for demonstrating process:
- Physical revision (flaps, post-its, cross-outs, different colored ink) clearly shows that revision has occurred.
- Having “process” pieces that literally show the progression of work is helpful for revision conferences.
- Process pieces that show revision – at all stages of the writing process – keep the focus on continual rereading and revision.
- You need clear expectations for student writing – for yourself as the teacher and also for your students.
- You need a vision for your student writing.
What do you see as emerging themes for the week?
What have you learned this week?
(Internet difficulties again interfered with pictures and the structure of this piece!)
For further reading, writing, response, or reflection:
Ratchet up the level of your students’ writing by teaching them revision: Tapping into the power of mentor texts and checklists (K-2)
Our 30 minute writing workshop felt like heaven. Time to write, time to think, time to talk with our partners!
“When we revise for meaning, we ask, “What’s this piece for?” Do I want the reader to feel a certain way? What do I want them to do? After I figure out that meaning, I scan my writing piece quickly. Any part that doesn’t match, I cross it out with one line. Any part that matches the meaning, BLOW it up ad I make sure that I tell it bit by bit.”
With that, Celena demonstrated in her text, had us read our own pieces and we were off revising. And it felt very comfortable and very doable.
Meaning – Development / Elaboration Strategies
- Jump into the moment & tuck into details later
- Make time matter
- Find heart of mater and add details, thoughts!
- End in the moment
- Stretch the moment across the pages!
- Show don’t tell – use describing words.
- Make characters talk.
- Make the characters move – add action words
- Add feelings
- Add thinking
- Find the important part – say more
- Symphony share.
Find one revision.
Put your finger on it.
Read just that revision for a single share.
- Museum share.
Walk around and look at the revisions.
Don’t take work to carpet. Quick.
Works in primary.
Can quickly see a variety of types of revisions.
Choosing a Mentor Text
We are using this format to study our mentor text.
Title and Author of Mentor Text
What do we see?
|What do we call it?||
Why would we use it?
- The standards (CCSS.W.5) can be a guide for revision with vertical teacher conversations about the expectations for each grade level. CL
- Revision is not like moving day where the big truck backs up to the door and EVERYTHING is loaded at one time. Choose one lens – meaning and revise. It will take practice. CL
- Use teacher written mentor texts to model how to “revise” so students can see the marked up copy. CL
- “A tool is only as good as the tinker’s hand in which it is!” CL
- Two ways of quickly sharing revisions are symphony or museum shares. CL
Consider: How do we make revision a part of every day’s work?
How and when do teachers study mentor text in order to really KNOW it?
Power Tools, Methods and Strategies: Access and Support for English Language Learners and Kids with IEPs in the Writing Workshop (4-8)
Tools: What should students write with?
Is this teacher preference? Student preference or both?
|Write with Pencils||Write with Marker / Gel Pen|
|First problem with volume
Hard to “push” a pencil – slows writer down
Great for sketching
“Are you writing volumes with #2 pencil?
Edit/ Revise with one line through previous text
Cannot lose data
Flows when writing
What most adults use in real world
(Skills list – draft by genre – not all inclusive)
Narrative Skills (fiction, historical account, personal, etc.)
- Generate story ideas
- Structure plot (sequence)
- Dramatize action
- Make meaning evident
- Develop characters
- Imbue voice
Information Skills (all about, lecture, article, etc.)
- Generate topics
- Structure content
- Elaborate on information
- Develop central idea
- Imbue voice
Persuasive/Opinion/Argument Skills (essay, lit. essay, speech, editorial, etc.)
- Generate ideas/opinions/arguments
- Structure piece
- Support with evidence and reasons
- Prove thesis/idea/opinion
- Imbue voice
- A skill is cooking; a strategy is the way you do it (boil, bake, fry, sear, broil, etc.) CC
- Skill? Strategy? Leads could be both – just like a square can be a rectangle! CC
- “I have to write a novel. Where is my #2 pencil?” says NO published author ever! CC
- Consider the physical demands on writing when a student uses pencil vs. pen. CC
- Make decisions about organization of notebook based on what students need and less on what is neat and tidy for the teacher. (If the organization of the notebook is a constant battle to get students to do it, are there more options / possibilities?) CC
To consider: Is the big question – Is this a skill or a strategy? Or is the big question – What can the student do over time in multiple pieces and with multiple genres?
How do we teach for transfer?
Mary Ehrenworth – Studying Mentor Texts for Possible Small Group Lessons – Read like a teacher of writing, considering:
What is the rationale for using mentor texts?
- Even in the Units of Study in 18-20 days, you can only teach about 6 new things.
- Mentor Texts – so you aren’t the only source of information about narrative writing.
- Mentor Text – opens up to 3-12 other things kids can be exposed to.
- Don’t wait until they are GOOD at it – not waiting for this work to be perfect!
- Mentor Text is important. Study. Incubation period may be long. You may not get the benefit of student learning this year.
Mary began with a demonstration text, “Brave Irene” and showed us how to look at Structure in terms of a movement of time. If it starts right away in one moment, when does time change? And then we did the same work in “Fly Away Home”.
Strong writers in small groups:
- Find things.
- Name them.
- Are they repeated?
- How would that work in our text?
Process that we used:
- Come to any text that we have and ask any questions by looking for most accessible text.
- Visual cues and language for a tool to help students. . . academic discourse.
- Sometimes I will do this work in video – engaging
- I try to demonstrate in my own writing – in the air.
- Teacher “shows” mentor text but doesn’t try it out is often the biggest problem with mentor texts.
- The teacher must know the mentor text very well.
- Students can make decisions about what to look for in mentor texts when the author’s repetition of structure, craft, or conventions is used.
- Mentor texts are the best way to study grammar “like an author”.
- Use of mentor texts should be engaging – and that might be why you consider video.
To consider: What if students were in charge of more “noticing” and determining what can be found in mentor text?
Is this the reciprocity that you would get from reading workshop?
Rethinking Mentor Text
Ralph Fletcher began with sharing letters from students, quotes from authors and many “craft” moves in the mentor texts. He also had us write during his keynote speech.
Using Ralph Fletcher’s mentor text, “The Good Old Days”, (keeping first and last stanzas), here is what I wrote:
The Good Old Days
Sometimes I remember
the good old days
Riding bikes on Sundays
Playing baseball games in the evenings
A carefree family life
Living on the farm
I can’t imagine
Anything better than that.
10 Tips for Using Mentor Texts to Teach Writing
- Read what we love ourselves
- Take advantage of “micro-texts” that can be read in one sitting (Picture Books, Poems, Paragraphs)
- Talk about the author behind the book. What itch made them write that story?
- Don’t interrupt the first reading of a text
- Leave time for natural holistic responses
- Reread for craft
- Design a spiral of Mini-Lessons that cycle back to teach craft
- Use the Share to reinforce the craft lesson from the Teaching Point – showing students in the class who did the craft move in their writing
- Invite (don’t assign) students to experiment with craft element
- Be patient – The student may not be able to do the craft this year but instruction was not in vain.
Bonus Tip – Don’t kill the book!
- Understand Means “To stand under”
- A writer MUST read!
- Mentor texts are available everywhere!
- There are many places to start but these institutes grow you personally and mentor texts will grow your classroom.
- Collect a lot of writing, including student writing, for mentor text use.
To consider: What if more teachers were writing? What supports do readers need in order to be better writers?
It’s majestic even when under construction (yes, still) when the Teachers College Reading and Writing Project keynote begins at Riverside Church.
There was a “comfortable-ness” in the air in both the words and in Lucy’s delivery as she spoke of TCRWP days past, present and future.
“We’ve come from 48 countries and 43 states. Leaders of state-wide reform, scores of principals and literacy coaches. And teachers by the hundreds.”
We heard that the teaching of writing matters. Lucy said she was blown away by the sheer miracle of our presence. The teacher’s job is not to teach information but to teach how to access – writing is the best tool that we have for that work – doing something with that information at our fingertips! Writing comes from within us.
On day one of registration for this institute, 8,000 applied.
We, the 1600 seated in Riverside Church, heard stories of Donald Murray, Donald Graves, riding on the Patagonia interspersed with quotes and excerpts of writing.
And then, “Artistry in the Teaching of Writing”. Lucy spoke of teachers who know the Writing Units of Study forward and backwards and who can quote the bends – and the work therein. These same teachers, however, aren’t all writers and therefore don’t have the deep understanding of “the heart of writing”.
Writing has been written about, talked about and studied at great length! More time needs to be spent on the envisioning because our students will only be able to meet our expectations. Our expectations will truly be their ceiling of learning.
Lucy spent time talking about these three stages of the writing process:
” * Rehearse
* Revise and Edit”
The stories were many. Sometimes Lucy raced through quotes and parts. And yet at other times she lingered.
- Revision is not just prettying up the page, adding detail, a new beginning or ending. It’s all about growing insights or realizations! LC
- Units of Study: “I don’t know if they really highlight the depth that I know is necessary for rehearsal and revision. After you write a draft (in a WHOOSH), cycle back to rehearsal. That’s the cycle of life in the process. Is that the push in the UoS?” LC
- “If you need to rethink your teaching, how does that make you feel? To embrace the writing life and outgrow yourself over time – there’s more I could have done, you want to have a glad feeling of possibility of a place to outgrow yourself to.” LC
- “How can we see beyond our best work? If you embrace revision, if you embrace writerly life, you will need to learn from your writing! Grow an image of what is essential!” LC
- “If you want to support a person’s growth, treat them as if they are already the person you want them to be.” LC
Which idea do you want to consider to ponder?
Session 1. “Ratchet Up the Level of Your Students’ Writing by Teaching Them Revision: Tapping into the Power of Mentor Texts and Checklists (K-2)”
Revision needs to happen A LOT across the day. One place to add revision and allow practice at the primary grades is during Shared Writing. With the teacher holding the pen and children dictating the possibilities, students can have A LOT of practice that increases their understanding!
How do we revise? Revision comes after every step of the writing process. It may look different as in “Revise in the air – rehearsal all the time!!! EVERY part of workshop even in K, 1, 2. Get idea, revise, plan, revise. . . Revision is NOT one special day on the unit plan calendar! It’s every day!” CL
We had adult writer’s workshop in this session. More to come on that in later days. So nice to see and hear writing conferences as well. Second time to write on the first morning of #TCRWP June 2016 Writing Institute!
Celena talked about turning points in memoirs. “One little event, one little action that sets you up for change. Sketch those moments. Rehearse. Revise in the air. Tell the story in the air! Talk to and/with a partner about those moments. Iron out that turning point. It won’t sound like a story YET! It won’t sound like writing YET! It won’t sound like a memoir yet!”
- Revision is not a checklist. CL
- Revision occurs during and after each and every step of the writing process. CL
- As a writer, it is important to know HOW you define revision. How do you revise? Is it easy? Is it difficult? CL
- If your story is “my kids don’t like to revise or my kids don’t want to revise”, you have to change that story line as Don Graves said, “If writing is 100%, revision is 85%.” Your expectations as Lucy said do matter! CL
- In the beginning, you will want to see evidence of physical re-writing (flaps, post-its, revision pen), because those first revisions will develop volume, stamina, and risk-taking. Habits and behaviors will come from your philosophy of writing! CL
How have these takeaways and notes added to your K-2 writing knowledge base?
What do you want to remember?
Session 2: “Power Tools, Methods and Strategies: Access and Support for English Language Learners and Kids with IEPs in the Writing Workshop (4-8)”
When working with “Striving readers”, Colleen had us consider: personality, expertise, strengths, needs – not just problem areas! This positive, asset-building approach reminded us of the many things that a target student (one with an IEP, labeled EL, or both) could be viewed “as more than one way.” In order to teach students who are struggling, we must know them!
Colleen challenged us to observe students in many ways (and this is in her wonderful book, The Unstoppable Writing Teacher). Storytelling circles on the first day of school. Ask students to bring an object that the student can tell a story off of! English learning students can tell story in dominant language and then tell in English or with a partner as a scaffold. And then consider collecting knowledge in these areas:
- Social conversations
- Whole-class conversation
- Small-froup conversation
- Pen grip
- Feet placement
- Closeness of face to paper (vision)
- Legibility and size of writing
- Pressure on pen
- Eyes during workshop (on charts, on own work, on classmates’ work, wndering)
- Patterns of geting started in writing
- Patterns in topics
- Patterns in strategies
- Subject area of strength
- Subject areas of struggle
- When experiencing success . . .
- When experiencing frustration . . .
- Areas of expertise
- Telling stories about students changes us from thinking about them as case studies to more personalized humans. CC
- Observation data is important so take at least once a month to truly observe – “First Friday of the month – take time to watch your class.What is it that this child does?” CC
- “Only give feedback on one thing!!! Make it be a BIG Ticket Thought where other things can be “tucked underneath!” CC
- When reviewing a student on demand piece, name what students are doing – helps with teaching purpose – without jargon and buzz words. Keep your language simple. CC
- Go to understood.org – Look up a disability. How can this add to your repertoire? CC
What themes are you beginning to see emerge from across the day?
Closing session: “The TCRWP’s Latest and Best Thinking about Efficient, Powerful Small Group Work that Accelerates Students’ Progress in Dramatic Ways”
Small groups might be for:
Shared Writing & / or Interactive
Use small groups NOW!
PLAN for three small group sessions in a row – And not the same sequence/type each time. Not all students will need all three sessions! But some will when your goal is building independence and seeing evidence of transfer. Students will be sitting there. You need to have that specific learning target (AND YES, only one) that will move the writing across all kinds, all pieces.
- Crystal clear goals
- MOSTLY the kids (Pacing)
- NOT brand-new
- Practice – Repetitive – Transfer
- Create a series – use a mini-chart
What tools are you giving students?
- Writing in the air
- Lead in phrases or sentence starters
- Refer back to a tool (shouldn’t be a NEW one when working on practice)
- Use of Strategies to attain goals 80-85% of small group is practice. NOT NEW GOALS! AH
- A small group session of 10 minutes will have two minutes of teacher talk and eight minutes of student practice so that the teacher can check in with each student three times! AH
- If Ss struggle, how long do you wait? Who do you help? Help students who need quick nudge so that you then have 3 of 4 students working and can really spend more time with the one stuck student. AH
- Be prepared. What are my coaching moves? What are my scaffolds? Demonstration, lean directions, teaching tool? AH
- “How do I set up for two or three small group sessions in a row? How do I help Ss incorporate and use the strategies with more automaticity and independence?” AH
For me . . .
I have homework tasks yet to do, but writing this post helped me think about what I HEARD today.
Where/ how/ when will I use this information?
How is my learning helping me revise my thinking?
Which comes first – the learning, the revision of thinking, or the openness to new thinking?
Thank you, Betsy, Beth, Dana, Deb, Kathleen, Lisa, Melanie, and Stacey for this weekly forum. Check out the writers, readers and teachers here. Writing makes us all more human!
“My bags are packed,
I’m ready to go.
I’m standing here outside my door”;
SCREEEECH! (needle on record player scratches the vinyl record)
BECAUSE my phone says, “3 days until my trip to New York City”.
What a bummer!
Does this look like a summer rerun?
On Friday, I’m off to my fourth #TCRWP June Writing Institute and the #June Reading Institute and I am ready to go.
I’ve checked my list at least three times . . .
1 trip to the bank
2 packed carry on bags
3 pairs of black shoes
4 notebooks to separate the week long sessions
5 colors of Pilot erasable highlighters
6 colors of Flair markers
7 th series of flights to #TCRWP ( 4 Institutes and 3 Saturday Reunions)
8 the midpoint day of this round of travel
9 th trip to NYC in my lifetime
10 google docs already created and labeled for each day of note-taking
11 electrical devices and power cords
12 hours to grade graduate work
13 chapters to read and I can finish three professional books before I go
14 days of learner – ready apparel to plan for
15 days of fun, learning, and hanging out with some Twitter, Voxer, blogging, reading and writing friends!!!
Necessary learning in order to grow as a professional . . .
In fact, I will flourish because this is my FIRST agenda for learning!
Rock Star Facilitators Celena, Colleen, Amanda, and Kathleen!
And also . . .
“Fun Home” on Broadway,
Dinner with friends,
Twitter Book Club Chats,
Google Book Club Chats,
Conversations on Voxer
because Iowans in NYC are always on the go . . .
and Iowans at #TCRWP soak up every minute of learning!
Reading, Writing, Speaking, Listening, and Thinking . . .
and oh, so JOYFUL (#OLW) to have this opportunity to grow, learn, live and laugh!
How will you grow this summer?
How will you increase your knowledge and skills in order to be a “better you” next year?
Thank you, Betsy, Beth, Dana, Deb, Kathleen, Lisa, Melanie, and Stacey. Check out the writers, readers and teachers here. Thank you for this weekly forum!
Making Powerful Connections Across the Twitterverse Using Social Media to Become Agents of Change
Amy Brennan, Jill DeRosa, Jenn Hayhurst, Mary Howard, and Jeanne Marie Mazzaferro shared how Twitter, a book Good to Great, and Voxer has led to changes in instruction and professional development. Read more about their session here on Jennifer’s blog.
Embracing Trouble: Problem Solving and Responsive Teaching in the Reading and Writing Classroom
Colleen Cruz, author of The Unstoppable Writing Teacher: Real Strategies for the Real Classroom, presented a series of steps to problem solve writing difficulties. This was interactive as we were working on a problem of our own as we learned about the steps.
- Name your trouble.
- How do you know it’s a problem?
- Where do you feel stuck? Why is it keeping you up at night?
- What are you most afraid will happen?
- Rename the problem as a realization or goal.
- Name the roadblocks that might get in the way.
- How might you deal with those roadblocks? Find a small little piece to start with.
- Plan first step. Second step. Send yourself a text with your plan as a reminder.
Barb Golub reminded us that “No matter what, Independent reading time needs to happen every day.” EVERY.DAY.INDEPENDENT.READING.EVERY.STUDENT
“Be true to yourself.”
“Teaching is hard.”
“You need to find your group or tribe for both celebrations and in times of trouble.”
Jennifer Serravallo, author of The Reading Strategies Book: Your Everything Guide to Developing Skilled Readers, began with a description of her previous typical classroom of 32 children, 10 with IEPs, 5 Ells, and parents who felt disconnected from schooling.
Because it was chaotic, she knew that she needed an action plan to fix the problem. She relied on experiences from her father, a chemist, to develop a plan.
1. Get to know the student. Stuff inside a messy desk may tell us more than the assessments. Use an engagement inventory to consider student stamina/ability to re-engage. How do you use running records? Not use for process, not as summative, but for formative information, but for next steps in teaching.
Where is the student pausing?
What patterns in pauses, miscues, . ..?
What is the student thinking about?
2. Decide on a goal for each reader. Honor student strength and potential when determining next steps. Jen referenced both Petty and Hattie for research in goal setting and specific feedback focused on goals. She reminded us that you must have a goal in order to be impactful. Look at the Hierarchy when making decisions about goals. “Have one goal for kids.”
3. Teach a strategy that aligns to goals. The strategy will have actionable steps with a verb. It will literally break down the work in a skill. (The newest publication has the goals color coded like the picture above!)
4. Make the goals visible. The goals need to be visible for the reader, other teachers, and parents. Pictures can help. Information on class website / blog can also provide visible goals.
“Have Student notes in a two pocket folder. Put reading information in one pocket and writing in the other pocket. Write notes. Have this chart ready at all times for communication purposes. Make it be like a “chart” at the hospital that hangs on the end of the bed. The doctor comes in and picks it up – One chart that travels with the student. (BRILLIANT coordination of information about the student!)”
5. Stay focused on the goal during conferences and small group work. So if you are working on fluency, you will make sure the student reads text.
“Teachers: You matter! You make a difference!”
The Art of Knowing Our Students: Action Research for Learning and Reflection
Matt Renwick – Elementary principal in Wisconsin
We began with Matt’s question, “What do you think of when you hear the word ‘research’?” Research should actually include listening, talking and even laughter as everyone learns from each other. Action Research – be a renegade / individual who rejects conventional behavior. Matt shared examples of research that both he and the teachers in his building are engaged in
Karen Terlecky – literacy coach for teachers of grades 3-5
“The stories behind children are important! It’s not all about the numbers!” Karen’s research question is “How might stamina and choice increase student reading engagement and achievement?” Observational data might include taking pictures/video, listening to students read. Additional information from “status of the class” can tell about stamina, where stuck, favorite genres, and whether students are just “skipping around.” And a shout out to Cathy Mere, “How might celebration within the literacy block incrase student motivation and engagement?”
Clare Landrigan and Tammy Mulligan
Clare and Tammy speak and write so eloquently about assessment and making sense of all the data that is collected – and so much more than just the numbers! How do we get “Wonder” as a regular piece of teacher work? In other words getting past issues of time, learning, questions, AND not having ALL the answers!
- More than a number
- Assessment and instruction are inseparable
- Instruction can meet high standards and be developmentally appropriate.
“Students want to know how they are doing. They don’t want to just hear about the errors that have been recorded.” Triangulating data must include teaching. Ask: “What do you notice? What do you wonder?”
I loved our work where we looked at the data pictured below and listed what we knew and wondered about this student who had scores below the benchmark and above the benchmark as well. What do you notice and wonder?
Take aways for today:
Learning is complex, for adults and students
Assessment is complex, more than a number
Students are complex.
Quality literacy instruction is hard because no script can meet the needs of all students.
I’m in NYC!
So excited to be back, with friends, literally from around the country, to learn, live and celebrate writing this week! (Can you guess my favorite punctuation?)
The Saturday before #TCRWP Writing Institute found several “slicers” meeting up at Bank Street Bookstore. Our goal, Julieanne Harmatz (@jarhartz) and I, was to meet Sally Donnelly (@SallyDonnelly1), a fellow slicer up from the Washington, DC area. We had met Sally, oh so briefly at the March Saturday reunion, and were interested in longer conversations. We all found ourselves purchasing Cynthia Lord’s A Handful of Stars that had been highly recommended by fellow traveler Allison Jackson (@azajacks). (sidenote: What’s up with the @? Those are twitter names to follow. If you aren’t following these three, why not? Oh, not on Twitter; well, why not? You should be!)
Amazing book. A dog balancing a blueberry on his nose should “hook” you right into this book! Bank Street Bookstore was also the site of an amazng toddler read aloud with parents, toddlers and accompanying strollers filling the aisles. And that’s all I have to say about that topic because of another book that I purchased that I will be gifting soon. (Hint – book is by Jimmy Fallon; yes topic connected to the new addition to my family.)
We adjourned to the Silver Moon Bakery and cafe for some coffee and much, much, much conversation. Sally is returning to a third grade classroom after years as a reading specialist. We had advice about techonolgy, blogging, professional books (Good to Great: Focusing on the Literacy Work that Matters by Mary Howard) and fellow bloggers for additional advice.
My one little word is “Focus” so I am thinking about my own professional reading for this summer. This book and my all time favorite What Readers Really Do are my re-reads for this summer along with Colleen Cruz’s, The Unstoppable Writing Teacher, and Jennifer Serravello’s, The Reading Strategies Book, as my two new books. Only four – but rich, savory texts that will feed my soul and brain for the year to come.